Two-time Juno Award-nominated musician Alysha Brilla has long been outspoken about the Canadian music industry's lack of gender diversity — particularly behind the scenes.
Unfortunately, this year's Juno Award nominees and winners included few women (just eight nominees in categories not based on sales) and none in both the engineer and producer of the year categories.
In the 45-year history of the Junos, only four women have won Producer of the Year and no women have ever won Engineer of the Year.
Brilla, aside from creating and self-producing her own world-influenced pop music (her third album, HUMAN, was released last year), has actively recruited female artists and technicians to join the Canadian Academy of Recording Arts & Sciences — the voting body that awards Junos — and is an activist for social justice both on and off the stage.
We caught up with Brilla to ask about what's needed to get more female technicians recognized and working behind the scenes, and her own music and upcoming projects.
Recently, Indigenous-Canadian artist Kinnie Starr directed a documentary called Play Your Gender, which examines why there is such a low number of women behind the scenes in the music industry. Having been in it for fifteen years, I think the reason is because when the industry was initially established, it was run by men as a bit of a boys club, where women's only place was as a singer, to be financially exploited by record labels.
I would say increasing representation requires major labels, themselves, to make sure that there are equal numbers of women on their board and in executive positions. I make sure I qualify my production skills publicly so other women may see another woman proudly working the tech aspect of music. I am greatly inspired when I see other women in production and engineering roles. I'll be working with a female mastering engineer on my next album.
I'm currently arranging songs for a new album that I will be recording over the next few months. I'm very excited about it. Many of the songs are about being rooted and finding commonality in our humanity. I'll be touring for that album across Canada as well as internationally.
I appreciate the recognition of my intersecting identity, as it does factor into my worldview and my music. I am trying to make a positive impact through my music. I write love songs, but I also write love songs for the world — those are my songs that offer my analysis on our humanity — its different facets and how we may shift them. Music is such a powerful tool. It has literally saved my life on occasion, and daily, it inspires me to move forward and keep using my voice.